About Bekah Simms

"In fact, if one were told so, the sounds that begin in the opening bars (comprised of "raunchy overblown" bass clarinet tone, bowed cymbals and bass sul ponticelli), could easily pass for the result of an actual spectral convolution between a screaming singer and some sort of fuzz-saturated guitar tone..." - Canadian Music Centre Library Residency Blog

Bekah Simms (b. 1990) is a Toronto-based composer and educator originally from St. John's, Newfoundland who was recently named by CBC as one of Canada's hot 30 classical musicians under 30 and the winner of the 2017 Toronto Emerging Composer Award. With work described as "deliciously disorienting" and possessing "a tremendous ear for foreground, background, blending and instrumental colour" (Nick Storring), Bekah is increasingly known as a highly individual composer redefining classical music. Her music consists of a highly varied output using a wide variety of mediums, including works with electronics, chamber music, opera, wind ensemble, and orchestra. Propelled by a simultaneous fascination and terror of the universe, Bekah's works often grapple with both physical and psychological curiosities as understood by human experience, usually filtered through the lens of personal anxiety. Among her current compositional interests is the interaction of quotation, obfuscation, and distorted elements.

Bekah's music has been performed and commissioned by first-class ensembles and soloists, including Continuum Contemporary Music, Esprit Orchestra, the Array Ensemble, the Madawaska Quartet, and Duo Concertante. Her works have been presented at the Toronto Symphony Orchestra's New Creations Festival, the Royal Conservatory of Music's 21C Festival, and New Adventures in Sound Art's Sound Travels Festival of Sound Art, among others. Her music has been included on Musicworks' CD series (CD #128) and broadcast on Montreal's Pulsar. Many of her chamber and solo works featuring distortive elements will be featured on impurity chains, a portrait CD on the Centrediscs label to be released in late 2018.

The creation and recording of Bekah's music has been supported by the Canada Council for the Arts, the Ontario Arts Council, the Toronto Arts Council, and the Department of Canadian Heritage, and featured from coast to coast in Canada, the United States, and Europe. She is an alumna of several prestigious composer training institutes, including Yale's Norfolk New Music Workshop, June in Buffalo, Soundstreams' Emerging Composer Workshop, and the Array Young Composers' Workshop. She is Co-Artistic Director and co-founder of Caution Tape Sound Collective, an endeavour inspired by her commitment to experimentation and exploration within her practice. Caution Tape Sound Collective has received the support of the SOCAN Foundation, the Toronto Arts Council, and the Ontario Arts Council.

Bekah has received over twenty awards, prizes, and call-for-scores selections. She has received honours from organizations including the International Society for Contemporary Music, the Canadian Music Centre, the Canadian University Music Society, Association of Canadian Women Composers, Sandbox Percussion, New Fangled Opera, North American New Opera Workshop, Newfoundland Arts and Letters, the Lyra Society, the Flute New Music Consortium, CelloLoft, a very small consortium, and the Zvi Zeitlin Memorial International Composer's Competition.

As an educator and conductor, Bekah holds a B.Mus.Ed. (K-12, choral & instrumental) from Memorial University. She spent three months teaching rock and pop-based classroom music, as well as leading the choral program, at Burnt Mill Academy - a performing arts middle school in Harlow, UK. She has a passion for conducting and working with singers which was strengthed by a year leading musical skills tutorials as a Teaching Assistant at the University of Toronto. Bekah has also served as a TA for a number of other classes, including Styles in Composition, Topics in Composition II, and Computer Applications in Music. In her role as Outreach Coordinator at New Adventures in Sound Art, she has led and assisted in delivering sound art workshops to both children and young adults during public school visits and day camps. She is also a composition mentor for Esprit Orchestra's Ontario Resonance project.

Bekah is currently a DMA student in Composition at the University of Toronto, where her studies with Gary Kulesha have twice been funded by an Ontario Graduate Scholarship. While at the U of T, Bekah has received numerous grants to fund travel to premieres, including a School of Graduate Studies Conference Grant and several Faculty of Music travel grants. Bekah also holds degrees in Theory/Composition and Music Education from Memorial University of Newfoundland.

Bekah also engaged in a 6-month private mentoring study with Montreal-based electroacoustic composer Martin Bédard, whose mentorship was facilitated through the PIVOT program. Former teachers include Andrew Staniland, Christos Hatzis, Norbert Palej, Clark Ross, as well as lessons and masterclasses with Salvatore Sciarrino, Hans Abrahamsen, Unsuk Chin, Martin Bresnick, Linda Catlin Smith, Chris Paul Harman, Christopher Butterfield, Chinary Ung, Michael Colgrass, Mario Garuti, Christopher Theofanidis, and Amy Beth Kirsten.

Bekah is an Associate Composer of the Canadian Music Centre and a member of the Canadian League of Composers, SOCAN, and the Association of Canadian Women Composers, where she serves as Secretary. She is also a member of the Music Gallery's Artistic Advisory Council.

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